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Patricia Urquiola and her partner, Alberto Zontone, formed Studio Urquiola in 200, and it specializes in industrial product design, architecture, art direction and strategy consulting.
See also: Kelly Wearstler: Commercial Projects
Patricia Urquiola, originally from Oviedo, Spain, studied architecture and design at the Universidad Politécnica de Madrid before completing her studies at the Politecnico di Milano, where she graduated under the mentorship of Achille Castiglioni. Throughout her career, she has collaborated with a number of well-known interior design and architecture firms.
Patricia Urquiola begins each project by establishing an empathic connection with the customer who will eventually interact with her designs, a technique she learned from Achille Castiglioni, establishing the “fundamental element,” as he used to call it, the foundation of each project that always keeps her on track and accompanies her entire design process: thinking spaces or objects in relation to people.
Today, we reunited a list of Modern Hotel Interior Design by Patricia Urquiola
Patricia Urquiola‘s objective with the Ca’ di Dio project was to keep a strong connection with Venice, both in the architecture of the public areas and the rooms. The essence of the city pervades all regions, manifesting itself in materials, colors, finishes, and ideas. The palette is simple and delicate, composed of colors and transparencies that allude to water reflections, a reoccurring element at Ca ‘di Dio.
Patricia Urquiola investigated the interaction between light and space, which was the major focus of the common functions that always looked out into the courtyard. As a result, the palette is composed of natural and light hues, as well as subtleties that mirror the priceless original frescoes.
The hotel strikes a mix between warmth, humor, refinement, and numerous brand experiences in a setting that encourages interaction between college personnel and students, as well as community members and others.
Interiors showcase a mix of handmade, contemporary, and design symbols that interact with one another.
The various areas are delineated by very high curtains that form a type of stage scenario, providing privacy but yet allowing visibility.
The design is being revived for the rehabilitation of this classic Passeig de Gràcia structure, which dates back to 1901.
Room Mate Giulia represents Milan city in its colors, textures, imagery, irony, and linguistic mix by using archetypical local materials and elements.
The meticulously designed lightness of space meets the carefully chosen natural color palette. Patricia Urquiola experiments with the sense of interior and outdoor spaces, questioning the distinctions between the two.
The W Vieques Hotel presents a contrasted conversation, an eclectic mix of decorated rooms and the natural splendor of Puerto Rico’s surroundings.
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